Posts in Be a Better Photographer
How to Balance Flash Outdoors

I recently mentioned to a friend and newbie photographer that I take my studio strobes outside and her question was “How in the world do you get flash outside to look natural?” This is something I've not had to deal with in years because it's just become second nature, so I didn't even think to write a blog about it. My friend was right.

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Smash Cake 101 Build A Basic Smash Cake Set

In this video we’re taking a deep dive into how to build a basic smash cake set using everyone’s favorite and cheap set foundation, seamless paper. Seamless paper is the basis of many smash cake photo sets because it’s so easy to clean up and serves as both the backdrop and the floor of the smash cake set. Anytime you get a twofer like that your business is saving time and money!

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Staying Sane While Editing Photos

I believe photo editing is a fantastic way to enhance the creative vision you had in you head when you took the image. For that reason I love editing my photos in Adobe Lightroom/ Photoshop and I think editing can be the cherry on top of any well crafted image. But if we’re being completely honest I do have those days where I’d rather gouge my eyes out with a spork than sit behind my monitor for 6 hours straight.

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How to Choose Photography Lighting Gear

To be a pro you need to learn everything you can about general photography and then you can choose to specialize. This includes how to use off-camera flash in your portraits. If you choose later to only use natural light for ascetic reasons, that’s up to you. But if you don’t use flash because you never learned how, then you run the risk of failing to do the job in a crisis.

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Find your Donkey

James Bond had Q. The Ghost Busters had Egon. Captain Kirk had Scotty. Some of the greatest heroes in movie history always had one know-it-all tech guy on their team. That tech guy spends his days testing some of the coolest gadgets known to man in an effort to make the hero look like a total badass on screen. So it stands to reason that if you want to be a photography badass you're gonna need a tech guy. Too bad there isn’t a place where photography techies hang out all day doing nothing but testing new camera gear! Oh, wait……

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Off Camera Flash

Here at TheSmashCake.com we use artificial light for most of our first birthday sessions. In the beginning we used mostly window light to shoot our smash cake sessions and we found it in the summer months that was a perfect and simple solution. But we’re located in the Pacific Northwest and we do get about 8 months a year of rain and cloudy gray skies. As you can imagine when we’re shooting in the winter months it becomes a huge problem to maintain correct exposure.

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The Sigma Art 50mm 1.4: So Sharp It Hurts!

The next day I took my friend’s advice and I rented the Sigma Art 50mm 1.4 from lensrental.com and prepared a smash cake set for what was bound to be the worst smash cake session of my career. Now if you guys wanted to quit reading at this point I wouldn’t mind because this is the part where I have to admit I was wrong. During that shoot I discovered that the Sigmas Art 1.4 is an amazing lens.

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Make Your Client a Star

A reader sent me this story the other day, knowing we are always on the lookout for quality education and inspiration to share with our readers. There’s a fun article on Focus Point Workshops’ website by Suzanne Merrill (owner of Starr Photography) about the content for the upcoming cake smash class she’s teaching.

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Switching to the Sony a7iii

Today I jilted my love of 15 years for the belle of the ball.  My love’s name was Canon and she and I made beautiful pictures together.  Not to mention hundreds of thousands of dollars for the last decade and a half.  But along came Sony with the a7iii and not only did it catch my eye...it stole my heart.  So, in this blog I’m going to outline some of the reasons why I put my baby in the corner and started getting footloose with Sony.  Because nobody puts baby in the corner...not without a good reason at least.

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70-200mm Lens - How I Love Thee

Those of you who use shorter focal lengths like the 50mm and a 35mm, you know that there are two things that affect how blurry the background is.  The first thing of course is aperture and the second thing is distance. When working with a longer lens both of those things are still true but you do have one more weapon in your arsenal. That weapon of course is the compression caused by zooming in.  

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